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Sid Fleischman On Writing

The following mini-lessons and activities for teaching writing and literature study, are based on By the Great Horn Spoon! and advice from Sid Fleischman. Read more about how Sid Fleischman learned to write in his autobiography The Abracadabra Kid.

Today when I am asked for advice, I'm apt to say that the only secret to writing is that there are no secrets. "But if there were one, it could revealed in a single word: practice. Nothing is wasted but the paper." (p.126, The Abracadabra Kid)

 

  Write About What You Know

 Tease Out Important Information

 Dialogue Tags/ Said" is Invisible

 Names Resonate

 The Title is Very Important

  Character Transformation

 Show Don't Tell

 Write in Scenes

  Imagery is Powerful Shorthand

 Give Weather Reports

 

 

Write About What You Know

Sid Fleischman drew on many of his past experiences when writing By the Great Horn Spoon!

 "About Hangtown, where some of the action takes place. An actual small town (now called Placerville, as you know), which I played when I traveled with the spook and magic show in 1939, fresh out of high school. No clue then that I would someday be writing about the place."

 

On that trip, a modern day miner named Rosey taught Fleischman how to pan for gold and to check for spangles in the roots of weeds. Pitch-Pine Billy taught Jack and Praiseworthy the same techniques! Sid Fleischman was in the Navy on a steam powered ship. While on the way to China, his ship was threatened by a typhoon. Fleischman says he drew on this experience when writing the storm in By the Great Horn Spoon! He also says many of his characters, including Praiseworthy, are like his father (Abracadabra Kid, p.13):

 "I can't say that I had had my father up front in my mind when I was writing these characters. But when I finished the novels and took a look, there he was."

 

It is a helpful for students to have a list of things to write about in their notebooks. Fold a piece of paper into four squares. Brainstorm one topic per square (both sides), and you'll have list to refer to when choosing a writing topic. Possible topics to label each square:

Things I know how to do really well
Things I know a lot about
People I know
Places I've been
Things I remember
Things I'm worried about
Things I'm angry about
Things I'm happy about 

 

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Tease Out Important Information

Tease out important information to dramatize the important scenes. For example:

 Here are two versions of a phone call:


"Aunt Amanda! You just won the lottery!"
Here's the same scene, teased out. "Aunt Amanda! There's big news! I've been trying to reach you for an hour! Don't you ever answer your phone?"
"I thought it must be Gertrude calling."
"Gertrude's been dead for ten years."
"What?"
"Turn up your hearing aid."
"Why are you yelling?"
"There's wonderful news!"
"You're going to get married?"
"I am married, Aunt Amanda. You remember that lottery ticket you bought? I hope you didn't misplace it."
"Of course I didn't misplace it. I threw it away. I never win."
"Go through your trash, Aunt Amanda! You won! You won the lottery!"

(p.179, The Abracadabra Kid)

 

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Dialogue Tags /"Said" is Invisible

How you say something is as important as what you say! On a butcher paper, brain storm and list dialogue tags with the students. For example: cried, whispered, complained, replied, whined, shouted, and giggled. Continue collecting tags when reading any book. Chapter one of By the Great Horn Spoon! is chock full of great examples. Keep this list posted so students can incorporate the dialogue tags into their own writing.

Give students a sentence for example: "Let's go to the library." Have the students repeat the sentence using the intonations and gestures according to the different dialogue tags. For example:

"Let's go to the library," Jack pleaded.
"Let's go to the library," Praiseworthy barked.
"Let's go to the library," Cut-Eye Higgins said with a wink.

Make a set of dialogue tag cards out of sentence strips or paper. Distribute these cards to groups. They can embellish various sentences with their various tags.

 WARNING: Overuse of tags can clog your dialogue and can be hazardous to your piece. Fleischman explains that the word "said" is invisible:

 

 "(it) . . . means when you tag speech with said, it passes before the reader's eye, invisibly, which is what you usually want. I only use expressive verbs when they help. The advice I was giving is to avoid clogging the dialogue with cumbersome and unnecessary tags. . ."

 

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Names Resonate

A character's name should be a reflection of that character. For example: Quartz Jackson, Good Luck the pig, Cut-Eye Higgins, The Big Bad Wolf, and Little Red Riding Hood. Sid Fleischman keeps a notebook to jot down interesting names that might be useful later in his work. Once, on a family drive, he caught a glance of a sign: PRAISEWATER MORTUARY. He didn't quite remember it right when he wrote "Praiseworthy" into his name book.

Students should keep a list of interesting names in their notebook to use in their writing.

Students share their "nick" names. How did you get your "nick" name? Who gave you your "nick" name?

As students read any book, stop at the first mention of a character's name, and brainstorm what that character might be like. Later return to these lists. Were your predictions true?

Have students write at least 3 name ideas when introducing a character for the first time in their story. Circle the best name. Then, use it.

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The Title is Very Important

How did Mr. Fleischman title this book anyway?

 "Why, the name By the Great Horn Spoon!? I finished the book nameless -- couldn't come up with anything usable. In the notebook I jotted down: "Gold Pan Alley" -- can you believe it? The Cross-Eyed Gold Mine -- haven't a clue what I had in mind there. The Happy Hills. Dull and commonplace. After a couple of frustrating weeks, I decided to use an expression of the times."

Collect titles from books, movies, songs, etc., on butcher paper and discuss which titles "grab" the reader and which ones don't. As you read By the Great Horn Spoon!, discuss the title of each chapter and make predictions about what will happen based on those titles. Fleischman's The Whipping Boy has particularly creative chapter titles.

Pick a topic that you know a lot about. Work in pairs to brainstorm five or six titles that might be used for a piece about that topic.

Wait until you have completed a piece before you select a title. Does this technique work for you?

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Character Transformation

The main character should be changed by the events of the story.

Make a Venn diagrams for Jack and Praiseworthy to compare their characters at the beginning of the book with the end of the book.


Can the students find clues about these transformations throughout the story? For example, Praiseworthy's bowler hat is symbolic of his personality. One clue that the butler is changing is when a snap of wind carries his hat away!

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Show Don't Tell

Together, find examples of "show don't tell" in the text of the book. For example, instead of telling us that Jack spotted the Sea Raven, Fleischman shows us what it looked like.

 "Hanging on the yardarm, Jack was the first to notice a white speck on the horizon behind the Lady Wilma. The speck grew into sails, the sails into a ship, and the ship turned out to be the Sea Raven (p.69.)"
First model how to show not tell. Start with the statement, "She was tired." Ask students to "show" what that would look like with out saying the word "tired."

For example: She had been dancing all night. She plopped her body down onto the couch. Her head was so heavy that it rolled from side to side as she struggled to hold it up. She let out a long, wide, yawn. More than anything, she wanted to let her eyes droop shut.

Distribute cards with a variety of "telling" statement on them.

Sample Telling Sentences:

That dog looks fierce.
The books are heavy.
The car is old.
The pie smells delicious.
We waited a long time.
The movie was funny.
The gold nugget was worth a lot of money.
The water in the river was cold.
The miner was hungry.
The captain was grouchy.

Students write "showing" sentences about their statement without directly stating what they are telling. Then, they share their writing with the other students in the class who try to name the "telling" statement.

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Write in Scenes

Explain that writing a story can be like directing a little movie that is played in the head of the reader. Distribute comic strips for students to write out frame by frame. Encourage them to include descriptive detail of the setting, dialogue with tags, and an interesting title! Students can also practice describing pictures from magazines, textbooks, or a videotape scene from a TV show.

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Imagery is Powerful Shorthand

A metaphor is a lie, which tells the truth! Similes and metaphors are like gold nuggets found literature. The perfect opportunity to discuss "Gold Fever" is on p.3, when Fleischman says, "The California fever was sweeping through the cities and towns and villages like a heady wind." Some other "gold nuggets" from the book include: "p.3 . . . her smokestack stained the frozen winter sky like ink." "p.36. . .at night the sky became their textbook."
While reading, have students collect "gold nuggets" on butcher paper for discussion. Be sure to post the list so students can incorporate the "nuggets" into their own writing. Students should practice writing their own similes and metaphors. Give them some sentences to think about. They can write four or five ideas for each sentence, then decide which is best! Some practice sentences:

Good Luck the pig is as cuddly as . . .
The splash of the paddle wheels sounded like . . .
Jacks horn spoon was as smooth as . . .
The river was as cold as . . .
The gold spangles sparkled like . . . 

 

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Give Weather Reports

It helps to make a scene feel real to include details about the weather. For example, "He was trying to thaw the ice in his curly black whiskers over a lighted candle. 'Well, don't just stand there invitin' in the weather!' (p.8.)

Have students scout out weather reports in By the Great Horn Spoon! and other books.

Challenge them to give weather reports in their own stories.

 

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